Una habitación propia by Virginia Woolf5/10/2023 ![]() ![]() By going through an experiment of writing situated in the spaces of a demolished house, I discuss how the construction of dissident characters who perform in the house and the application of different genres and experimental writings complicate the house and bring on the writing of a dissident architecture. One is: how to tell a story we cannot tell? And the other: how can this struggle with an impossible narration create a dissident architecture? To investigate these questions, in this text domestic spaces of houses are considered as a key example of performing grounds for dissidents. ![]() In this way, writing dissident architecture deals with two main questions. writing with the dominant power, but against it, is what dissidence could bring into writing architecture. To develop a tactic of writing with unwelcome co-authors, i.e. Dissident writing is to write with multiple voices and many authors-not all of whom are welcome. By situating writing in contexts where direct ways of expression are impossible, I investigate how dissident writing can circumvent the bans of an oppressive power by inventing an Aesopian language. ![]() It is to create new grounds, sites of actions, and construct characters who build these grounds and change them by inhabiting them critically and performatively. ![]() Writing architecture is not writing about architecture, but writing it, making it. ![]()
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